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Friction, Pressure, Impact

Friction, Pressure, Impact

for cello and piano


  • Besetzung: Violoncello und Klavier
  • Ausgabe: Partitur und Stimme
  • Bestell-Nr.: ED 31215
118,00 €  *
inkl. Mwst. und zzgl. Versandkosten Gewicht: 0.18 kg

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Beschreibung
Friction, Pressure, Impact comprises three movements, each of which focuses on the question of musical metabolism in a different way. The first movement, Friction, has a moderately fast metabolism, working through the musical material between the instruments with some speed yet with a kind of compulsively controlled rate of evolution. Pressure has a much slower pace of working through its musical argument, which is relatively minimal. It moves heavily and sensuously through its course. Impact changes and shifts with a mercurial speed; although this movement has one single argument throughout, it is an argument that is constantly changing shape and perspective: phrase-lengths, local patterns, registers, and harmonic inversions are constantly in flux, pelting the music's surface like a hale storm. - Hannah Lash
Details
Auftragswerk : Commissioned by TwoSense: Lisa Moore, piano; Ashley Bathgate, cello
Bindung: Rückendrahtheftung
ISBN: 978-1-62721-251-9
ISMN: 979-0-800011-57-3
Kompositionsjahr: 2012
Seitenzahl: 44
Spieldauer: 12'0"
UPC: 888680727222
Uraufführung : 4. Oktober 2012 Brooklyn, NY, Roulette (USA) · Lisa Moore, piano; Ashley Bathgate, cello · Veranstalter: TwoSense
Verlag: Schott Helicon Music Corporation
Lieferrechte: weltweit
Aufführungen
2012-12-01 | New York, NY (Vereinigte Staaten von Amerika)
2012-11-23 | Detroit, MI (Vereinigte Staaten von Amerika), Detroit Institute of Arts
2012-10-04 | Brooklyn, NY (Vereinigte Staaten von Amerika), Roulette | Uraufführung
Friction, Pressure, Impact comprises three movements, each of which focuses on the question of musical metabolism in a different way. The first movement, Friction, has a moderately fast metabolism, working through the musical material between the instruments with some speed yet with a kind of compulsively controlled rate of evolution. Pressure has a much slower pace of working through its musical argument, which is relatively minimal. It moves heavily and sensuously through its course. Impact changes and shifts with a mercurial speed; although this movement has one single argument throughout, it is an argument that is constantly changing shape and perspective: phrase-lengths, local patterns, registers, and harmonic inversions are constantly in flux, pelting the music's surface like a hale storm. - Hannah Lash
Auftragswerk : Commissioned by TwoSense: Lisa Moore, piano; Ashley Bathgate, cello
Bindung: Rückendrahtheftung
ISBN: 978-1-62721-251-9
ISMN: 979-0-800011-57-3
Kompositionsjahr: 2012
Seitenzahl: 44
Spieldauer: 12'0"
UPC: 888680727222
Uraufführung : 4. Oktober 2012 Brooklyn, NY, Roulette (USA) · Lisa Moore, piano; Ashley Bathgate, cello · Veranstalter: TwoSense
Verlag: Schott Helicon Music Corporation
Lieferrechte: weltweit
2012-12-01 | New York, NY (Vereinigte Staaten von Amerika)
2012-11-23 | Detroit, MI (Vereinigte Staaten von Amerika), Detroit Institute of Arts
2012-10-04 | Brooklyn, NY (Vereinigte Staaten von Amerika), Roulette | Uraufführung