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Details
Aufführungen
‘During the rehearsals for "Schlussgesang" for viola and orchestra performed at the 1997 Aldeburgh Festival, I conceived of the title of this present composition, with its internal rhyme, as an appropriate way of describing Tabea, the viola player. Later in the summer I composed an Andante, with a contrasting faster section which is the first of these three pieces. Immediately afterwards, I added a second, a scherzo-like piece, and for a finale made a transcription of the fifth movement of Schlussgesang, written in memory of my teacher Olivier Messiaen and titled Kein Gedanke, nur ruhiger Schlaf [no thought, only quiet sleep], the words taken from a fragment written down in a notebook by Franz Kafka.’
| ISMN: | 979-0-2201-1943-9 |
|---|---|
| Kompositionsjahr: | 1997 |
| Opus: | op. 64 |
| Reihe: | Musik unserer Zeit |
| Schwierigkeit: | schwer |
| Seitenzahl: | 26 |
| Spieldauer: | 10' 0" |
| Uraufführung : | 25. Mai 1999 Schwetzinger, Rokokotheater (D) Schwetzinger Festival, Germany · Tanea Zimmermann, viola; Hartmut Höll, piano |
| Verlag: | Schott Music Ltd., London |
2002-01-25
|
Toronto, ON (Kanada), University of Toronto | nationale Erstaufführung
2000-09-27
|
Venezia (Italien), Chiesa di San Samuele | nationale Erstaufführung
‘During the rehearsals for "Schlussgesang" for viola and orchestra performed at the 1997 Aldeburgh Festival, I conceived of the title of this present composition, with its internal rhyme, as an appropriate way of describing Tabea, the viola player. Later in the summer I composed an Andante, with a contrasting faster section which is the first of these three pieces. Immediately afterwards, I added a second, a scherzo-like piece, and for a finale made a transcription of the fifth movement of Schlussgesang, written in memory of my teacher Olivier Messiaen and titled Kein Gedanke, nur ruhiger Schlaf [no thought, only quiet sleep], the words taken from a fragment written down in a notebook by Franz Kafka.’
| ISMN: | 979-0-2201-1943-9 |
|---|---|
| Kompositionsjahr: | 1997 |
| Opus: | op. 64 |
| Reihe: | Musik unserer Zeit |
| Schwierigkeit: | schwer |
| Seitenzahl: | 26 |
| Spieldauer: | 10' 0" |
| Uraufführung : | 25. Mai 1999 Schwetzinger, Rokokotheater (D) Schwetzinger Festival, Germany · Tanea Zimmermann, viola; Hartmut Höll, piano |
| Verlag: | Schott Music Ltd., London |
2002-01-25
|
Toronto, ON (Kanada), University of Toronto | nationale Erstaufführung
2000-09-27
|
Venezia (Italien), Chiesa di San Samuele | nationale Erstaufführung
Service & Programme
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ZAHLUNGSARTEN
